A story of how an innocent is jailed becomes an unyielding critique on the prison system. Watch it in horror.

Seeing Red

Traditional filmmakers think digital cinema looks cheap. But with evolving technology, can they tell the difference between film and digital anymore?

Pan-Indian Ambition

Mammooty would have us refer to cinema made in India as ‘Indian cinema’. With his latest, Pazhaasi Raja, simultaneously releasing in five languages, he should certainly hope so.

Acid Factory

When a film’s best shot is a touristy scene of coastal Cape Town, you know the director should jump into the sea.

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