under journalism

Tabish Khair on why he doesn’t write for critics, his dislike of the term ‘postcolonial’, and how journalism helped him overcome his dread of deadlines

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16 Apr 2012 | BY Jyotirmoy Talukdar

Mohammed Hanif on being drawn to the morbid, his early love for reproductive health magazines, and his fantasy writing place

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16 Sep 2011 | BY Shruti Ravindran

If Jug, like his Riverdale namesake, seems too laidback to be paying attention to weightier matters, you’ve been had

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6 Aug 2011 | BY Aresh Shirali

In their response to Open’s X-Tapes exposé, Barkha Dutt and Vir Sanghvi are defending the indefensible. Here is why.

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25 Nov 2010 | BY Hartosh Singh Bal

Indian media countered Open’s X-Tapes exposé last week with strategic silence. A sacred code of Indian journalism had been broken.

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25 Nov 2010 | BY Manu Joseph

Sting journalism has been accorded legal sanction. A veteran of the trade explains what happens after you get a great story.

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30 Sep 2010 | BY Aniruddha Bahal

The valedictory column from a grateful editor

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27 Jul 2010 | BY Sandipan Deb

The Pulitzer prizes, announced last week, had a few Indian connections. Here’s a list.

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21 Apr 2010 | BY Arindam Mukherjee

There’s a wonderful book I’m reading these days, Telling True Stories, in which writers and teachers share valuable advice. Susan Orlean has an essay on voice. Nora Ephron tells us what narrative writers can learn from writers of screenplays.

I found the section on ethics particularly interesting. There are pieces on footnotes, fact and fiction, attribution, and other issues in the same vein. An essay titled 'The line between fact and nonfiction’, by a writing coach named Roy Peter Clark, got my attention for this:

“If you gather ten facts but wind up using nine, subjectivity sets in. This process of subtraction can lead to distortion. Context or history or nuance or qualification or alternative perspectives can drop out. While subtraction may distort the reality the journalist tries to represent, the result is still nonfiction. The addition of invented material, however, changes the nature of the beast. When we add a scene that did not occur or a quote that was never uttered, we cross the line into fiction.”

The simplicity is appealing.

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3 Feb 2010 | BY Rahul Bhatia

Arvind Krishna Mehrotra is the first South Asian to be nominated for Oxford University’s Professor of Poetry

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13 Jun 2009 | BY Suhit Kelkar
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